Commonwealth Old City will be selling concessions.
Hailed by Chamber Music Magazine for “pioneering achievements of the highest order,” the PRISM Quartet and the Painted Bride Art Center present the next installment of Heritage/Evolution, a groundbreaking project featuring world premieres of new works composed and performed by today’s most inventive jazz saxophonists. This time around, Heritage/Evolution spotlights saxophone luminary Joe Lovano with PRISM. The program follows the PRISM Quartet’s prior Heritage/Evolution collaborations with Ravi Coltrane, Steve Lehman, Dave Liebman, Rudresh Mahanthappa, Greg Osby, Chris Potter, Tim Ries, and Miguel Zenón, and the release of the Quartet’s critically acclaimed recording, Heritage/Evolution, Volume 1 (Innova). The program also includes the premieres of new works by PRISM’s resident composer and 2016 Pew Fellow, Matthew Levy, and the winner of the PRISM/Walden School Commissioning Award, Reiny Rolock (additional works TBA).
Since the saxophone’s invention by the Belgian instrument maker Adolphe Sax in 1840, it has captured the imaginations of artists and audiences worldwide. The Heritage/Evolution project charts fresh musical territory, drawing on the saxophone’s cross-cultural heritage to blend jazz with everything from South Indian and Western classical music to Romani and Latin American folkloric music. Join us for an unprecedented saxophone summit as PRISM, a “bold ensemble that set the standard for contemporary-classical saxophone quartets” (The New York Times) partners with the incomparable Joe Lovano.
Joe Lovano on his new piece: “My commission, ‘Super Sonix,’ is inspired by and dedicated to the genius and Third Stream pioneer Gunther Schuller, as well as modern jazz master Ornette Coleman, both of whom I’ve been associated with. I will also be drawing from my personal experiences playing within some great saxophone sections: The Woody Herman Band, Mel Lewis Jazz Orchestra, Carla Bley Band, and The Charlie Haden Liberation Music Orchestra. ‘Super Sonix’ is a piece which will explore the natural beauty found in the harmolodic rhythmic tapestry of improvised music. I will be joining the PRISM Quartet on tenor, alto. G mezzo & baritone saxophones, as well as drums, oriental gongs and percussion.”
ABOUT THE ARTISTS
Joe Lovano is a Grammy-winning saxophonist, composer, and arranger. DOWNBEAT magazine has twice named him Jazz Artist of the Year. He also topped both the DOWNBEAT readers and critics polls as Tenor Player of the Year in 2000. Lovano has collaborated with many legendary musicians, including McCoy Tyner, Hank Jones, Joshua Redman, Bill Frisell, Branford Marsalis, Jim Hall, and Paul Motian. He is the Gary Burton Chair in Jazz Performance at the Berklee College of Music and a faculty member in the Berklee Global Jazz Institute.
PRISM Quartet: Intriguing programs of great beauty and breadth have distinguished the PRISM Quartet as one of America’s foremost chamber ensembles. Two-time winners of the Chamber Music America/ASCAP Award for Adventurous Programming, PRISM has been presented by Carnegie Hall, the Chamber Music Society of Lincoln Center, and as soloists with the Detroit Symphony and Cleveland Orchestra. Champions of new music, PRISM has commissioned over 250 works, many by internationally celebrated Pulitzer Prize-winning composers. PRISM’s discography includes 15 recordings for the Albany, ECM, Innova, Koch, Naxos, New Dynamic, New Focus, and XAS labels. PRISM may also be heard on the soundtrack of the film Two Plus One and has been featured in the theme music to the weekly PBS news magazine “NOW.”
Heritage/Evolution: PRISM Quartet with Joe Lovano was supported by New Music USA. To follow the project as it unfolds, visit the New Music USA project page:
Joe Lovano’s commission is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
PRISM Quartet, Inc. also receives support from The Pew Center for Arts & Heritage, the Presser Foundation, Conn-Selmer, Inc. the Philadelphia Cultural Fund, the Musical Fund Society of Philadelphia, the William Penn Foundation, the Samuel S. Fels Fund, the Amphion Foundation, New Music USA’s Cary New Music Performance Fund, the Aaron Copland Fund for Music, Inc., the Alice M. Ditson Fund, and individual donors.