Anito Gavino’s Tagong Yaman

Event Schedule

Dec 3, 2022
3:00 PM—6:00 PM
Dec 4, 2022
3:00 PM—6:00 PM


December 3rd and 4th | 3pm – 6pm
Painted Bride: 5212 Market Street
Price: Pay What You Can
Registration Required

Tagong Yaman (Hidden Treasures) is a conceptual dance-theater piece that centers around the cultural amnesia many Filipinos go through because of colonization and assimilation. In the piece, we connect to our ancestral memories and call upon indigenous dance rhythms and martial arts to combat this amnesia. Tagong Yaman is a multidisciplinary performance of dance, martial arts, theater, film, and soundscores used to reclaim and archive our untold histories. 

Centered on ancient mythology, the characters will weave stories of ancient gods with their modern-day lives as Filipino Americans. Countering the Spanish-influenced patriarchal culture, this work will showcase pre-colonial matriarchal societies through the character of Babaylan. Babaylan is a Visayan term for my hometown, Iloilo which means healer, seer, a spirit guide to the ancestors and gods, often depicted as a woman and sometimes, a ‘feminized’ man. Tagong Yaman will intertwine our imagined past with our present identities, giving many of us “in-betweeners” a true sense of ownership and pride for lineage and history.

Works by
Anito Gavino
Malaya Ulan
Brandon Aquino Straus
Mic Dino Boekelmann

The performance work will be 60 minutes long. 

photo: Malaya Ulan



3-4:30 pm: Community participatory activities
-Parol making (Filipino holiday lantern )
-Screening of Tagong Yaman film funded by Scribe Video Center
-Story circles facilitated by Anito Gavino
-Gallery Walk
Performance: 4:30-5:30

Talk Back and Food: 5:30-6




December 5th – 9th | 5pm – 7pm
Painted Bride: 5212 Market Street

The visual art installation created by Straus and Boekelmann will be open for view the following week.

Brandon Straus’ video projections transport you to the Sari Sari, a Southeast Asian version of the bodega. Product logos are replaced with jokes, protest signs, and familial wisdom to invite the viewer to look at their relationship with the mass production of food and consumer goods.

The installation will also feature organic paper sculptures crafted by Mic Diño Boekelmann using Manila envelopes. Sculpted in the shape of Sampaguita (or jasmine), the national flower of the Philippines, the garlands will hang throughout the space as an offering of welcome, pureness, and divine hope.